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The Train Store - Taking the Train

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List Price: $31.00
Our Price: $25.45
Your Save: $ 5.55 ( 18% )
Availability: Usually ships in 24 hours
Manufacturer: Columbia University Press
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Average Customer Rating:     

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Binding: Paperback Dewey Decimal Number: 751.73097471 EAN: 9780231111430 ISBN: 0231111436 Label: Columbia University Press Manufacturer: Columbia University Press Number Of Items: 1 Number Of Pages: 400 Publication Date: 2001-08-15 Publisher: Columbia University Press Studio: Columbia University Press
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Spotlight customer reviews:
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Customer Rating:      Summary: scholarly graffiti Comment: This might be one of the only few written things out there trying to bring graffiti as a concept into the scholarly/ academic envrionment. I don't know that they proved anything, but it was a decent attempt. If you are looking for graff books with lots of color pictures, don't buy this book.
Customer Rating:      Summary: An important contribution Comment: For anyone who is seriously interested in all aspects of the Graffiti Culture, Joe Austin pulls it all together in this scholarly, but easily readable, excellently researched new book. The author has spent the necessary time to know many of the important writers, to review the major material written in the last thirty years and to organize it in a way that helps the reader develop a more comprehensive understanding of this unique art form. "Taking the Train" joins a very select list of books that make up the "Graffiti Book Hall of Fame"
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Editorial Reviews:
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In the 1960s and early 1970s, young people in New York City radically altered the tradition of writing their initials on neighborhood walls. Influenced by the widespread use of famous names on billboards, in neon, in magazines, newspapers, and typographies from advertising and comics, city youth created a new form of expression built around elaborately designed names and initials displayed on public walls, vehicles, and subways. Critics called it "graffiti," but to the practitioners it was "writing." Taking the Train traces the history of "writing" in New York City against the backdrop of the struggle that developed between the city and the writers. Austin tracks the ways in which "writing" - a small, seemingly insignificant act of youthful rebellion -assumed crisis-level importance inside the bureaucracy and the public relations of New York City mayoral administrations and the Metropolitan Transportation Authority for almost two decades. Taking the Train reveals why a global city short on funds made "wiping out graffiti" an expensive priority while other needs went unfunded. Although the city eventually took back the trains, Austin eloquently shows how and why the culture of "writing" survived to become an international art movement and a vital part of hip-hop culture.
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